LA dance company Body Traffic comes to Santa Fe for a two-week residency to teach master classes in local studios and perform for the Santa Fe audience Nov. 7- 8.

It’s a chilly Tuesday afternoon as the staff members of SFUAD’s newest student-run online literary magazine Coffee Spoons converge on an upstairs room in Benildus Hall, shedding coats and cracking open laptops to discuss the game plan for the upcoming week. Only one submission has been made to the website so far and the staff kicks into high gear, brainstorming ways to further promote the website. “We’re hoping to accomplish a wider exposure for all writers on campus,” says Melinda Freudenberger, one of the editors, speaking of the purpose of Coffee Spoons. “We wanted something more accessible than Glyph, because Glyph is once a year and this is every month, so students have the opportunity to turn in newer work. But just as high quality work!” Amaya Hoke agrees. “We want to inspire the student body to start submitting. The idea of submitting is kind of scary, so if they can start by submitting to a student-run online magazine, it might be easier for them to submit elsewhere.” The online magazine will accept any genre of writing, as long as it is “original and coherent” according to the Coffee Spoons FAQ page, and is open to all SFUAD students, not just the Creative Writing and Literature department. “Our only chance to put work out is Glyph whereas other departments have lots of opportunities to put their work out there such as plays and film festivals, and workshops can only take you so far,” says Josiah Farris, the mastermind behind the project. “I really got committed to the idea of trying to find a way for us to find ways to get our work out there more frequently.” Although creative writing students are encouraged to submit their work elsewhere, the primary means of student publication within the department are Glyph, a yearly lit-mag written, edited, and promoted by students, and Jackalope Magazine, the weekly online magazine where students can explore journalism. The Coffee Spoons staff hopes students will be encouraged to submit due to the fast turn-around rate, the fact that submitting work for consideration is free, and that any published works may be resubmitted to “any other magazine that will accept it.” At present, the staff of Coffee Spoons includes Brandon Brown as coordinator, with Josiah Farris, Zoe Baillargeon, Marina Woollven, Serafima Fedorova, Freudenberger, and Hoke as editors. The meeting flip-flops between business and dissolving into giggly side conversations, the staff clearly having a great time working together. Farris jokes around, telling a story of how a teacher literally burning a bad essay in front of his class inspired him to become a writer. The tale sparks laughs from around the room and Brown attempts to get the meeting back on track. Once attention is redirected, everyone is engaged in presenting ideas and opinions for how to further promote the website. The name “Coffee Spoons”comes from a stanza of the T.S. Eliot poem “The Love Song of J. Alfred Prufrock,” the exact quote being “I have measured out my life with coffee spoons.” Hoke got the idea from reading the poem in Dana Levin’s 20th Century American Poetry class, replacing Farris’s original title of “A Sudden Jabberwocky.” Each member of the staff has their own reasons for wanting to be involved in the process of editing and promoting student work. “I am always really excited and really looking forward to reading what the department and students come up with,” says Marina Woollven. Freudenberger agrees, saying that she “loves the process of editing, I’m really passionate about it, and giving a wider voice to the community.” Interested students may submit work the first week of every month. If their work is accepted, students can expect a response within two weeks of publication. The overall issue will be released at the end of each month. Currently, the deadline for the November 2014 issue ends on Friday, Nov. 14, allowing students plenty...

Local marketing gurus Zane Fischer and Adam Shaening-Pokrasso schooled writing students Nov. 5 in the Forum on the commodity of story telling. “It’s hard to find careers where writing doesn’t come into play,” Fischer said. Fischer wrote, and was an editor for the Santa Fe Reporter. He now applies his penchant for narrative structure to re-branding local businesses from his Santa Fe-based firm Anagram, which has created logos and websites for the new media festival Currents, the contemporary art gallery Site Santa Fe and the Santa Fe Concert Association — rebranded by Anagram as Performance Santa Fe. Now more than ever before, according to Fischer, a creative writing degree will allow one to assimilate almost immediately into a professional marketing environment. “Your contribution will be valued,” Fischer said. Shaening-Pokrasso, born in Santa Fe and founder of the California-based marketing firm 12FPS, attributes this valuation to a change in how the advertising audience connects to products and the ideas they represent. “People are tuning out in-your-face marketing techniques,” he said, adding, “People want stories.” Story building is the foundation for all 12FPS-marketing campaigns, and writers, according to Shaening-Pokrasso, are the ones with the conceptual chops necessary to turn an abstract notion into a hand-held commodity with mass appeal. Industry demand for writers’ craft is a new idea for art students, especially those who question, or may even be unaware of the relevance of writing craft in a tech-driven economy. In high school, film major Julie Wittrock said she considered pursuing a BA in creative writing, but decided against it because of “how hard it is to apply creative writing to general employment and hire-ability.” But after hearing the guru duo speak, she said she was surprised by the openness of the marketing industry to “creative people and storytellers.” However, industry openness did not alleviate Wittrock’s anxiety about getting a job after graduation. She wants to be a screenwriter, not a marketing executive, and is partial to science fiction — a traditionally male-dominated genre. “Being a writer in any capacity is a huge risk,” Wittrock said, “[and] making a living is a huge frightening issue for me.” Wittrock’s fear is not unfounded. According to the Labor Department’s Occupational Outlook Handbook, writing is projected to grow at a rate of a little less than three percent in the decade between 2012 and 2022. In other words, only 3,800 additional writing jobs are expected to become available over the course of 10 years. However, according to Career Services Director Joanie Spain, this number may be based on the Labor Department’s narrow definition of writing, and their limited perception on its applicability to other industries, rather than the actual number of jobs available to people with a creative writing degree. “That’s why we brought in Zane and Adam,” Spain said, “to show writing students the wide range of possibilities.” Marketing is a burgeoning industry, according to the Labor Department, that’s projected to grow 12 percent during the same decade as writing, which is one percentage point higher than the average for all industries combined — a fact Spain attributes to marketing being the third largest industry after health care at No. 2, and transportation at No. 1. “No matter what you do,” Fischer said, “you have to be able to communicate what you do, and who you are.” Success in industry, according to Fischer and Shaening-Pokrasso, depends on good communication, at the core of which is the ability to formulate cohesive and comprehensive narratives. “At the end of the day,” Fischer said, “employers want a good...

“Listening to that music, I have a scene playing out in my head.” Lobsang Tenzin regards the pianist who has been playing at Iconic Coffee brewery. We sit down to speak about Tenzin’s life and I learn about Tenzin, passionate storyteller. “I am always listening and imagining the stories with music in my life,” he says. “Even the birds or the leaves blowing make up scenes.” Tenzin was born in Lhasa, the capital city of Tibet. He fled from his country in order to escape the tyrannical government that offered very little freedoms for its people. “Both my parents were activists and I was too. I got in a lot of trouble,” Tenzin says with a smile. “People always say that Tibet is so beautiful as a landscape, as a people and as a culture. But the inside is so sad. There is no human right, no religious right, no educational rights and it’s so hard. I had to escape from Tibet. It is impossible to go back.” He ended up fleeing the country, and is now studying film at SFUAD after transferring from the Portland Community College with a bachelor’s degree in Integrated Media. Tenzin received SFUAD’s 2014 Unique Voice Scholarship through the Robert Redford/Milagro Initiative scholarship program. Jackalope Magazine: What does film mean to you? Lobsang Tenzin: For me, it’s more like a tool or a weapon in order to tell my people’s culture and stories. Now these days, all the older people from the older generations, they are wrinkled and dying, I want to keep all the wrinkles and grab all the stories that they have as much as possible. I can make short films and documentaries for the next generations; even if they don’t see these people, they will know their stories. It just keeps on passing; it must never vanish.   JM: How would you define your style? LT: I’m like a Marine, and I think of myself like a sniper. My job is to shoot. I always shoot, even when I’m not working. I’ll shoot the leaves moving in the grass. I build up all the different shots and store them so I don’t have to go looking every time. If I want to make a small story I can just use the shots I already have. I can pick anything when I work.   JM: Have you considered what exactly you want to focus on in the film school? LT: For me, it’s about the images. I want to be a cinematographer. But the way I see it, if I want to be a chef, I start from the dish washer. I need to understand how everything works. This semester I’m not taking any big production classes. I’m just taking some normal classes in order to understand this university. I don’t want to get too stressed out this semester. I am taking Native American Arts and History of Contemporary Art.   JM: Can you tell us a little bit about how you came to this university in particular? LT: I was still studying at my other college in Portland. One of my professors asked me if I wanted to act. She introduced me to the director and he said I was perfect for the cast. They offered to give me acting classes for one year, Meisner acting classes to learn to work in front of the camera. I learned so many things. So basically I was always behind the camera and now I’m facing the camera. You have to give the perfect shot. So I was doing that while in school and the director of the film asked what I had planned once I graduated with an Integrated Media degree. He told me to look at Santa Fe University of Art and Design. He gave me the information and he even contacted the school for the Robert Redford scholarship. I then got my portfolio together, all...

Twilight Sparkle and the gang have come to SFUAD! In addition to its myriad other clubs and activities, SFUAD is now playing host to its first ever Brony Club. A bizarre cultural phenomenon that has spawned its own documentary, a Brony is the given name to an adult/young adult male fan of the popular children’s show “My Little Pony: Friendship is Magic.” According to posters around campus, the SFUAD Brony Club’s aim is to “give students a chance to express themselves in a non-judging environment,” as well as enjoy activities such as “creating art, showing off fan works and of course watching new episodes of the show.” The SFUAD Brony Club is the brainchild of Jack Getschman, an 18-year-old freshman film major. “I wanted to start the club because I’m a big fan myself, and I felt it was kind of hard to express myself because I do make some fan works and I can’t really express them to people. So I thought, well, other people probably have this problem too, and it’s hard to express your creative works with people who aren’t fans. So I thought, make the club, get to meet Bronies and I get to make some friends and I can really allow them to express themselves in a non-judging environment.” Getschman says he first saw the show back in 2012, but didn’t consider himself a Brony until a friend recently showed him the documentary “Bronies: The Extremely Unexpected Adult Fans of My Little Pony.” “I was nervous the first time (I saw MLP) because if someone sees a boy or a grown man watching the show, they’re gonna judge or think the worst.” So far, three people have signed up for the club and the on-campus reaction has been relatively positive, although Getschman says he has heard some people “talk about Bronies in not a good light” and that several of his posters have been torn down. One of the new members, Owen Peterson, a 29-year-old SFCC film student who lives in the SFUAD dorms, was excited by the club’s potential to enhance SFUAD’s “inclusive environment” status. “I like the Brony fandom because they are very progressive in moving society forward by eliminating stereotypes for grown men who like children’s entertainment. I myself like Pokemon, Power Rangers and Batman, among other kids shows. We live in an ever-changing world and Bronies are bringing the world closer to being a better place.” Both Getschman and Peterson acknowledge that their status as Bronies may be negatively perceived, but neither feels judged or ridiculed on campus. “I don’t mind (people judging,) but I’d prefer not to go all out and like, shout out on campus ‘Hey, I’m a Brony!’ or anything. I guess I would prefer not to, but I can take it,” says Getschman. Peterson agrees that he doesn’t feel judged “by anyone here on campus. I’m a little nervous about one or two people, but as long as I’ve got my friends here at SFUAD who like MLP, I shouldn’t be afraid of anything anyone says or does.” Administration approval for the club went through Director of Campus and Residential Life John Rodriguez. “I was kind of surprised, but I had seen an episode of “Bob’s Burgers,” which had a Brony Club and I thought it was hilarious. However, I think Jack’s reasons for starting the club were legitimate enough to approve the creation and it also brings much needed diversity to the SFUAD clubs and organizations.” Rodriguez also expressed the hope that “this club will resonate with our SFUAD student body. Again, it’s something fresh and new and is something that our students grew up with, watching “My Little Pony”, so it’s kind of fun to relive those childhood memories as a young adult as a creative outlet.” As with many fandoms, Getschman and Peterson both had characters from the show with whom they most...