The Rivals showed from Friday March 6 – Sunday March 8th in the main lobby of the Greer Garson Theater due to renovations to the main stage. The house lights, which could have easily been mistaken for the natural lighting of the palatial Greer Garson main lobby, dimmed and soon the focus was in the center of the circle of chairs. One door was left open to the ticketing lobby wherein walked what appeared to be the last remaining seat-holders to the show. In walked the cast of the Performing Arts Department’s showing of the comedy of manners The Rivals. Rivals includes various “breaks” with the characters in which the performers would engage the audience during a scene. The round setting allowed every side of the audience to feel included. Already entranced by the stylistic and photographic odes to the late Greer Garson, this personalized seating and audience-engaged approach left viewers thinking, “I think the play just came to us.” Originally written and performed in 18th century England by Richard Brinsley Sheridan, The Rivals explored a romance between its two main characters: Captain Jack Absolute, played by senior Matt McMillan, and Lydia Languish, played by freshman Maddie Garcia. Jack and Lydia are seeing one another, though she has two suitors anticipating her hand in marriage. Sir Anthony Absolute, who has recently arrived in Bath and is unaware of his relationship with Lydia, informs Jack that he has a marriage arranged for him. Jack protests, but is soon told by his servant Fag (played by freshman Robert S. Bradivica) that the marriage is actually arranged for Lydia. Lydia’s friend Julia, played by freshman Nina Poenisch, is in love with Jack’s friend Falkland—senior Tyler Nunez—but is stifled by Falkland’s rampant insecurities brought on by Julia’s alleged infidelity. McMillan and Garcia recently...
Q/A w/ Shenyse Harris...
posted by Zoe Baillargeon
From art school to graduate school: With graduation on the horizon, Shenyse Harris, a senior in the Performing Arts Department, recently joined the legions of graduating students from this school and around the country auditioning for graduate performing arts programs. Harris, a BFA Acting major, has appeared in a number of productions during her time at SFUAD, including Dracula, Our Lady of 121st Street, Some Girl(s), and Once on This Island. Harris sat down with Jackalope to discuss the audition process, her prep work with PAD faculty member Jon Jory, and her successful audition for one prestigious MFA program. Jackalope Magazine: Why did you want to become an actress? Shenyse Harris: Mostly it was because I missed my sister a lot growing up. My sister is about 13 years older than me, and she moved away to Los Angeles to pursue an acting career. I think for me, acting was something that made me feel closer to her and gave us something to talk about, because, you know, when you have an older sister, you sometimes don’t really have a lot in common or a lot to talk about, so it was a common ground for us. Then, from there, it kind of grew and progressed into something that I was good at. I always wanted to do sports. I danced, I did sports, and then acting happened. JM: Why did you choose Santa Fe University of Art and Design? SH: The financial aid packet was pretty bomb! (laughs) But at the time, I was in a mindset of just trying to leave the house and I auditioned for a lot of schools at the International Thespians Festival, and I got callbacks…but for some reason my mind wasn’t set on going to a...
Get a Room!
posted by Zoe Baillargeon
Get a Room! The Room Plays 1-4, performing 2 p.m. and 4 p.m. Sunday, Feb. 22 in the Fogelson Library.
Bedtime
posted by Zoe Baillargeon
Good night, sleep tight, don’t let the…Bag Man bite? For its first offering of the semester, the Performing Arts Department is presenting a collection of 10 minute, student-directed plays, among them the “creepy and funny” Bedtime. Taken from a collection of short plays by Steve Yockey entitled “Very Still and Hard to See,” Bedtime follows two young women, Violet and Julie, as Violet reveals that for her whole life, a mysterious “Bag Man” has been killing people close to her. As Julie struggles to understand this strange new aspect of her friend, Violet prepares to take her future into her own hands. “I like the idea of someone taking charge of their life,” says director Julia Rocke, a senior acting major. Rocke, who is having her directorial debut with Bedtime, seems to be filling in the role of director well during a Monday night rehearsal, working with actors one-on-one and giving feedback after each run-through. “I was really nervous just to interpret something and have someone watch it…and get the story right,” she says during a rehearsal break, also commenting that the characteristics of and the dynamics between the two female leads spurred her decision to work on this play. Starring as Violet and Julie are sophomores Sarah Spickard and Kinsey Sarian, who both experienced interesting challenges in their characters. “I’ve never been in a situation before where a) there’s a killer involved and b) where my best friend would put me in harm’s way,” says Sarian. Spickard agrees, saying that “just trying to come up with a rich inner life for this obscene character [Violet] has been a challenge.” With only 10 minutes to communicate character, plot, background and more to an audience, the actors and directors are faced with a hefty challenge...
Q&A: Jordyn Aquino
posted by Zoe Baillargeon
Getting ready to graduate college and tackle the real world is a hefty challenge, but Jordyn Aquino is prepared for the big leap with a good head on her shoulders. Aquino, a senior BFA Musical Theater Major in the SFUAD Performing Arts Department, has spent her college career working on multiple productions, including starring as Ti Moune in the Spring 2013 production of Once on This Island, and appearing in Middletown, Little Shop of Horrors, and Spring Awakening. Aquino sat down with Jackalope Magazine to reflect on her time at SFUAD, her relationships with her teachers, and what the future holds after graduation. Jackalope Magazine: Tell us a bit about your background as an actress and singer. Jordyn Aquino: Well, I grew up in Anchorage, Alaska, and as one would imagine, there isn’t a ton of wonderful theater going on there. So I did kids performing troupes and stuff like that. I never really did much high school theater. I was more into community theater and the different camps that they had going on at local colleges. Also, I grew up singing a lot, so music was always a big part of my life and theater just kind of went hand in hand with the music stuff. My singing led to competitions, and then that branched into acting competitions. There were agents and managers at these competitions and that led to me moving to LA. I did pilot season, for ABC pilots and Disney things. I was getting far along in auditions, but then I ran out of money, went back home, and decided ‘maybe I’ll go to college.’ So I did. JM: Why did you decide to attend SFUAD? JA: Well, I went to a prospective student dinner and I met [former PAD Chair] John Weckesser and [alumni] Lisa Hamilton, who did a ‘how to prepare for an audition’ video for the department, and I really appreciated what she had to say about the school. It seemed like a place where, not only could I grow as a performer and learn about my craft, but I could also be a better-developed human being. So John Weck gave me his card if I promised to call him, so the next day I did, I sent in a video audition, and he said ‘ok, you can come here,’ and that’s how SFUAD happened! God, this is awkward! Doing your first interview is like losing your virginity! JM: Haha, how so? JA: Well, you know, it’s awkward, a little bit painful…haha! JM: I don’t think I’ve ever heard someone say that about an interview! Wow! JA: Sorry! JM: What has been your experience in the Performing Arts Department (PAD) at SFUAD and how have you grown? JA: It’s hard to wrap it up. The experience has definitely helped me prepare for working in the industry. I’ve had wonderful training and been able to work with teachers who helped me identify my strengths and I’ve been able to nurture those. I’ve also been able to work on my weaknesses and get better. As far as how much I’ve grown, I’ve learned to calm down, learned to be more patient and not take myself so seriously. JM: Do you have a teacher that you feel particularly influenced you in a positive way? JA: Oh yeah! All my teachers have been great influences, I love them all so much! Well, Victor Talmadge and Gail Springer, definitely! Gail has really influenced me and it’s been really wonderful to work with her, especially when it comes to vocal training and Estill training. She’s also cast me and helped me expand and given me parts that challenge me and help me grow. For Victor, I really appreciated the kind of discipline he had for acting. You always had to have a reason for what you were doing. You had to justify everything! I appreciated that because acting...
Nine
posted by Amanda Tyler
The lights come up on five white boxes. A young man climbs up onto the center box so that he stands above the rest of the group. He begins to conduct them through a chorus of angelic ‘la la las’ and, all at once, the show is underway. The Musical Theater Workshop class has combined with the Musical Theater dance class to present a selective production of the musical Nine. The cast includes five main female singers, one male, and a 12-person ensemble of dancers. Shannon Elliott, the director of the dance department and choreographer of the show, acknowledges this year’s switch from previous Musical Theater Workshop performances. “Music Theater Workshop has usually been reviews in a way, songs from different shows. This feels like a more honed, complete production. It’s just a different take on the class,” Elliott says. “I think that they’ve matured and they have to have an extra certain sophistication… It gives the students the opportunity to rise to the occasion.” Alaina Zachary, who teaches the Musical Theater Workshop class, has also seen this tremendous growth in each individual from the beginning of the semester. “People are not only owning their roles, but trying new things. It’s so thrilling because once they take it and run with it, they’re responsible for their own success… I just couldn’t be happier with our results,” Zachary says. Nine opens with a preview at 7 p.m., Thursday, Dec. 11. Shows are at 7 p.m. Dec. 12-13 as well as 2 p.m., Dec. 13. Tickets for the weekend are free, but must still be obtained through the Lensic box office, 211 West San Francisco St.,...
Underwear Society Bares All
posted by Zoe Baillargeon
At the end of the semester, few people want to be starting on new projects. But this is when the members of Underwear Society, SFUAD’s student-run sketch comedy group, come together to write and put on their show. For 13 years, Underwear Society has amused College of Santa Fe and now SFUAD students with its antics, putting on one show per semester during finals. Shows usually are held in the Weckesser Studio Theatre in the Greer Garson Theater, but this semester, due to changes within the theater department, the show will go on in Alumni Hall. The show consists of sketches written individually by members or collectively as a group, using pop culture, campus life, awkward situations, and over-the-top characters for inspiration. Between scenes, each member has a scene to showcase their “Indulgence.” “It’s three to five minutes of a solo performer performing solo!” laughs Jacey Ellis when asked to define what an “Indulgence” is. In essence, it’s a moment for a performer to perform whatever they want so the audience can “familiarize themselves with the performer.” Gathering in the acting lab in the Greer Garson Theatre on Dec. 8, members swap scripts and pitch ideas for scenes. Although the group routinely dissolves into giggles, everyone quickly refocuses their attention on the huge task of compiling and rehearsing a show in only a week. “It feels amazing to be a part of something you’ve wanted to do for so long,” enthuses new member Elizabeth Anderson, a performing arts senior who has been auditioning for acceptance into the group since her sophomore year. In addition to Anderson, senior members Jacey Ellis, Joey Beth Gilbert, and Michael Pepp welcomed new members Marjorie Solo, Hamilton Turner, RJ Henkel and Darrell Luther to the team this semester. When asked what attracted them to sketch comedy, each member had unique answers that spoke to the versatility of the art form. “It’s the fleeting nature of the form,” says Marjorie Solo, a creative writing and literature major. “A sketch, like a poem, is only with you for a short period of time. The temporary nature is very appealing.” Michael Pepp, a theater major who has been with the group for four years, agrees. “It’s about being able to have the freedom of movement, of worlds, and the togetherness of laughter.” All agreed that virtues such as respect and open-mindedness were essential qualities for members of a comedy group to have in order to work well together, with RJ Henkel commenting that such qualities gives the group “more freedom to be completely outrageous.” Another interesting discussion point was the difference of opinion over how important being a good writer was to being a good comedian. “I don’t think you can be a good comedian without being a good writer,” says Henkel, who joined the group in the hopes of improving his writing skills, whereas Solo contends that “the writing comes second to the comedic brain and comedic timing; being able to see the world and take comedic material from it.” Hamilton Turner, who has assisted with previous Underwear shows but is enjoying his first show as an official member, preferred to walk the line by agreeing that “it’s definitely important,” but also pointing out that many professional comedians now have writers working for them to help better craft their material. In the end, though, everyone is dedicated to working together to put on the best show possible. Free performances take place this Friday Dec. 12 at midnight and Saturday Dec. 13 at 11 p.m. in Alumni...
Den of Thieves Opens
posted by Luke Montavon
When a quartet of dysfunctional characters have the obvious opportunity to steal $750,000, what could go wrong?
Hotline Opens
posted by Luke Montavon
Have you ever had an unusual or difficult day at the office? Greer Garson Theatre presents Hotline, written by Elaine May and directed by senior Hamilton Turner. The play explores the mindset of a suicide hotline counselor (Matthew McMillan) on his first day of the job when he gets his first call from the neighborhood neurotic and angsty woman (Madeleine Garcia). Hotline is a one act show, running approximately 50 minutes, and is part of a larger compilation of plays entitled Death Defying Acts, which includes authors Woody Allen and David Mamet. Performances run Nov. 7-8 at 7 p.m. and Nov. 9 at 2 p.m. $15 public tickets, $5 for seniors and students; Tickets can be purchased at www.ticketssantafe.org or...
Let’s Hear it For Some Girls
posted by Nick Martinez
Neil Labute’s Some Girl(s), opened Oct. 17, presents a marked script improvement over PAD’s previous show The Cave Dwellers, and boasts strong performances from its four female leads. Senior Jade Scott Lewis does an affable job as Guy, a struggling writer on an apology tour to four former ex-girlfriends, before his upcoming nuptials. Lewis is perfectly cast as the bumbling heartbreaker, equally selling the charm to win women over, as well as the selfish streak to ruin them. Again, Lewis does a great job as the scoundrel Guy, but the real stars of the show are his former lovers, all vulnerable in their own ways, and with enough hurt that reveals more about Guy than Guy ever could. The story is told in four scenes, each with Guy and one of his ex-girlfriends as the onlycharacters in the scene. Two emotionally wrought scenes bookend the show, but the middle two play as a bizarre psycho-sexual power struggle. Senior Shenyse Harris plays Tyler, an art school free spirit who is the only girl Guy didn’t leave with a permanent scar. Harris imbues what could have been yet another slut caricature with confidence and hints at a deeper motive that she and Guy may share. Each girl is given roughly sketched lives outside the scenes, but emotional scars run deep, perhaps none more so than suburban housewife Sam, played by junior Tristine Henderson. Sam and Guy’s relationship was high school puppy love, a concept likely still fresh in the mind of many of the SFUAD audience members. Henderson ably portrays the stretched-thin mom, and her increasing desperation and past digging leads to great tragicomedy. The show itself ends on a grand joke, one I won’t spoil, but the final scene is heartbreaking in its escalation. Bobbi, played by senior Shelby Gray, has the best chemistry for Guy, and the reunion produces unfortunate revelations. Each character, at one point or another, gets to play the victim, but Grey’s Bobbi refuses to play Guy’s role. Her Bobbi is smart, and the most put-together of the other women, but her confrontation with her past produces emptying tear ducts, and not just for the character. Not me, of course, I just had something in my eye. PAD has been killing it this semester, and Some Girl(s) is a major reason...
Preview: Some Girls
posted by Luke Montavon
This weekend and next, Greer Garson Theatre presents in the comedy Some Girl(s) written by Neil Labute and directed by Gail Springer. Some Girl(s) follows the story of Guy (Jade Scott Lewis), a seemingly typical American male who searches for solace in his inner darkness as he attempts to make amends with four past girlfriends. Showtimes: Friday October 17, 2014 – 7:00 P.M. Saturday October 18,2014 – 7:00 P.M. Sunday October 19, 2014 – 2:00 P.M. Friday October 24, 2014 – 7:00 P.M. Saturday October 25, 2014 – 7:00 P.M. Sunday October 26, 2014 – 2:00 P.M Tickets: $15 public tickets, $5 for seniors and students. Purchase tickets at ticketssantafe.org or 1-505-988-1234. Contact the SFUAD Performing Arts Department (Amy Johnson) at 1-505-473-6439 for more...
Some Girls Q&A
posted by Nick Martinez
Some Girl(s) opens Oct. 17, so Jackalope sat down with two of its leads, senior Jade Scott Lewis and senior Shenyse Harris, to discuss the show, playing unlikable characters and favorite recreational activities. Jackalope Magazine: Tell us a little bit about Some Girl(s). Jade Scott Lewis: It’s a show done in four scenes. Each scene contains the main protagonist named Guy, who interacts with one of his ex-girlfriends. So there’s only two actors on stage at a time. The show is about a writer who goes off in search of something, searching for some kind of connection. He’s foraging and looking for something interesting in each relationship. Shenyse Harris: What’s really interesting is that each scene is completely different. Each of the four girls reflects a different time that he was living in. It’s a lot of fun. JM: Shenyse, tell us a little about your character. SH: Each girl, Some Girl, shares once scene with Guy. My character’s name is Tyler, she is an art student. Tyler is very into herself, she’s a very strong headed, emotional person who tries logic, but can let her emotion get in the way. Because of that she acts as though those things don’t affect her. JSL: And she’s raunchy, and sexual, and she likes drugs. SH: Thank you, Jade. (laughs) Yeah, she is very raunchy, very sexual. I wouldn’t even say raunchy, she’s very blunt and open about her sexuality, she’s very comfortable in her own skin. She’s out there, if you ask Tyler to do anything, if you’re like ‘hey Tyler, let’s go streaking,’ she’ll be the first one with her clothes off. But, she’s also very guarded. She definitely uses her openness as a defense mechanism to hide the melancholy of who she really is....
Cave Dwellers Review
posted by Nick Martinez
What can I say about The Cave Dwellers? Firstly, the story is nonsense. I hate to start the review off negative, but I just needed to get that out of the way. The central romance of the story between The Duke (Tyler Nunez, senior) and The Girl (Donna Bella Litton, freshmen) is erratic, falling in and out of love over the matter of days, with a narrative conclusion that leaves much to be desired. The absurdity of the courtship makes Gorky the Bear’s (Matt McMillan) appearance seem ordinary. There’s my gripe. But, what ultimately saves the show is the committed performance of each and every cast member. Nunez’ punch-drunk Duke seems to recognize the heightened reality of the show, appropriately mumbling some of his line delivery, while still nailing the dramatic beats. Litton, who has the most underwritten role of the ensemble, acts as the audience surrogate, but gives hints of a sadder complexity beneath her doe-eyed innocence. As freshmen, it’s exciting to think what Litton has in store for audiences with more experience and juicy material. Rounding out the quartet of leads are The King (Colin McIntire, junior) and The Queen (Avery Cartwright) who bring their college veteran experience to their loquaciously eccentric roles. The scene stealers though, intentionally or not, were McMillan’s Gorky the Bear and Father (Hamilton Turner), his Russian bear trainer. The duo show tremendous chemistry, and elicit big laughs from primarily physical comedy. It should be noted too, that this was PAD’s first show “in the round,” on the the stage of the proscenium theater. All the performers adjusted competently, with any unintelligible lines few and far between. For those looking for a thought provoking show, you may have been disappointed. But, for any fan of top notch...
Preview: Cave Dwellers
posted by Luke Montavon
The Cave Dwellers, directed by Shepard Sobel, runs October 3-5 at at the Greer Garson Theatre.
Happy Birthday, Greer Garson!
posted by Nick Martinez
College of Santa Fe and Santa Fe University of Art and Design have many luxuries, thanks to Greer Garson, whose 110th birthday was celebrated by the Performing Arts Department Sept. 26 in the Greer Garson Theatre lobby.
Q/A: Reagan Roby
posted by Nick Martinez
Reagan Roby is in her second year at SFUAD as a theater tech major. Since transitioning from musical theater, she has been involved with eight shows in only a year and a half. In the Q&A, Roby discusses the new head of PAD, fussy actors and future plans. Jackalope Magazine: What Brought you to SFUAD? Reagan Roby: I was in theater in high school and Kevin Klutz, one of the alums from here, persuaded me to come and visit and I just really liked it. JM: Did you originally come here as a theater tech major? RR: No. I actually came here as a musical theater major. I went to some classes and was like ‘I’m really bad at acting…(laughs) And then PA’d for a show and kind of fell in love with stage management after that. JM: What do you think about Laura Fine Hawkes, the new head of the department who has a theater tech background? RR: I think it’s really good. Last year I was really debating staying here. Just because we had a sub chair, nothing was really getting done. Our TD (Technical Director) last year was, ugh. It’s really nice to have Laura, because she is a technical theater person, graduated with that degree. She’s really making a lot of changes and making it suitable, an environment to learn, for tech majors. JM: What productions are you working on this semester? RR: Currently I am working Some Girls, directed by Gail Springer and I am ASMing (Assistant Stage Managing) for that. In a couple weeks, I am PSMing (Production Stage Managing) Hotline, which is directed by Hamilton Turner. JM: What are some of your duties as a PSM? RR: When you PSM, it’s basically your...
Meet PAD’s new chair
posted by Nick Martinez
Laura Fine Hawkes may be the new head of the Performing Arts Department, but her ties to SFUAD run back to the College of Santa Fe days. A graduate from CSF, Hawkes has worked as a scenic designer and art director in Minnesota, Los Angeles and Houston before returning to SFUAD, officially taking over July 15. She’s also been a guest artist for the past three years and was a contributing faculty member last spring. “I knew the student population and faculty before I came here,” she said. “Although the freshmen and sophomores were newer to me, I knew a number of the juniors and seniors.” This familiarity lends her a distinct advantage over the typical new hire. But, recognizing the foundation the previous PAD chair Victor Talmidge established, Hawkes hopes to continue SFUAD as a school for professional development. “I’ve long known [PAD] to be a strong pre-professional program,” she said. “We can build on that same legacy. My specific passion is design and technology. That would be related to both theater and the greater entertainment industry.” Hawkes’ first step is to make technical upgrades to the Greer Garson Theatre. As a result, all shows will be performed in the round, on stage in Greer Garson, with the audience sitting on stage with the performers. She doesn’t believe the work being done in the theater will disrupt the work in the classroom. “It doesn’t interfere, I would say they interlace,” she said. “Much of our curriculum is geared to what we do that season.” SFUAD’s first show of the season will be The Cave Dwellers, by Samuel French, opening Oct. 3, but the real kickoff will be Greer Garson’s 110 birthday party on Sept. 26. Unfortunately, Mrs. Garson will be unable to attend herself, though a scene from The Cave Dwellers and a stair performance from the Dance Department will entertain. This event is open to the public. After this, shows include Some Girls, Hotline and Den of Thieves, all culminating in new contributing faculty member Alaina Warren Zachery’s Musical Theater Workshop’s showcase, featuring music from Nine. Hoping to extend an olive branch across campus, Hawkes also plans to collaborate with other departments, with film being the obvious suitor. With her improvements on the technical side of PAD, she’s employing a sort of trickle-down eduction that will spread to other aspects in the department. “We’re looking at what partnerships we can have to mutually support each other and to cross collaborate,” said Hawkes. Hawkes began her first year in the chair with a full plate, but if her youth and enthusiasm is any indication, the PAD is in for a fresh start....
Musical Theater
posted by Nicholas Beckman
The Performing Arts Department’s musical theater workshop, taught by Sarah Wyler, opened Friday May 9 at the Weckesser Studio Theatre with finesse.
Spring Awakening Review
posted by Sara Malinowski
Spring Awakening
posted by Amanda Tyler
For the next two weekends, the dramatic story of Spring Awakening will grace the Greer Garson Theatre stage. Director Gail Springer has led a cast of more than 20 through months of rehearsals, which will soon culminate in five performances.
Confessional
posted by Luke Montavon
Confessional, Small Craft Warnings is a extension of a smaller work,Confessional, by playwright Tennessee Williams and directed by Performing Arts student Hamilton Turner. Set in a dive bar in Southern California, the play centers on an evening in the lives of a group of working class people struggling to overcome loneliness and the emptiness of their existence. In addition, the play explores themes of life, death, family, illness, and alcoholism. What: Confessional, Small Craft Warnings by Tennessee Williams is showing April 11-13 Where: Weckesser Studio Theatre When: April 11 at 7 p.m. April 12 at 7 p.m. April 13 at 2 p.m. Tickets are $5 at the door and can be purchased up to an hour before...
Hamilton Turner Confesses
posted by Nicholas Beckman
Hamilton Turner discusses directing the Performing Arts Department’s new student-run show: Confessional, Small Craft Warnings.
Left To Our Own Devices
posted by Charlotte Martinez
SFUAD students perform with Just Say It , an end-of-the-year show at Warehouse 21 at 7 p.m., April 24-26 and 2 p.m. on April 27.
JORY SPEAKS
posted by Nicholas Beckman
SFUAD Performing Arts Department faculty Jon Jory discusses his life in theater and the upcoming Dangerous Liaisons performance he directed.
Les Liaisons Dangereuses
posted by Luke Montavon
This weekend, SFUAD Performing Arts Department presents Dangerous Liaisons, directed by Jon Jory.
The Trojan Women
posted by Luke Montavon
This weekend, 21 members of the Performing Arts Department, directed by Joanne Camp Sobel, will present The Trojan Women, a Greek tragedy, written by Euripides, recounting the day after the invasion of Troy.
Wish Granted
posted by Sara Malinowski
Creative Writing senior Sara Malinowski reflects on why her New York Arts program internship with Blessed Unrest was a dream come true.
Winter Wonderdance
posted by Nick Martinez
On Dec. 11 Garson’s Dance Company showcased its Winter Dance Concert, and the close to full audience was delighted with a wide variety of acts from guest artists and students with close ties to the dance department.
A Look Inside Garson Dance
posted by Charlotte Martinez
Garson Dance Company presents Winter Dance Concert at Garson Theater at 7 p.m., Dec. 11. This year, the annual Winter showcase has redefined its style to a psychologically gripping journey that may become the signature of SFUAD’s newly formed Garson Company.
Shenyse Harris Q/A
posted by Nick Martinez
Shenyse Harris discusses acting, SFUAD’s Performing Arts Department and her role in Our Lady of 121st Street.
Jackalope Magazine is the student magazine of Santa Fe University of Art and Design. Building on the interdisciplinary nature of our education, we aim to showcase the talent of our university and character of our city.
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