By Brandon Ghigliotty/ Photos by Sandra Schoenenstein Taking place on the third Thursday of every month, February’s MIX Santa Fe was held at the Santa Fe Culinary Academy. The upper-level space consisted of winding rooms opening into a large demonstration kitchen. Several platters of food were exhaustively replenished during the event by Executive Chef Rocky Durham and his crew. “People love the Azerbaijani flatbread,” said Durham. It was delicious. Chewy, herbed bread with a sharp tinge of cheese. It was easy to see why the platter emptied so quickly. Other platters held shrimp spring rolls, pork-filled lettuce wraps and vegetarian nori rolls. Blue Corn Cafe & Brewery manned the cash bar, initially serving beer in glass jars, then abandoning them for the more traditional plastic cup. People met up, introduced each other to new acquaintances, and generally broke the MIX drought brought on by MIX’s absence in the months of December and January. Speaking with Kate Noble, MIX coordinator and special projects administrator with the Economic Development Division for the City of Santa Fe, the past 31/2 years of MIX have had their ups and down. Yet, even during the low points, “We were still hearing about people making connections or getting work and being able to stay in Santa Fe,” Noble said. Entrepreneurs took the opportunity to hand out flyers on their projects, Dawn Hoffman of Only Green Design gave information on “Upcycle Santa Fe”: a festival to come up with creative solutions to the ecological issues that face the community. Another entity on site was the graphic design collective known as “Hexagono”, a group of Santa Fe University of Art and Design students, seeking donations to their project “The Importance Of,” which is “A 200 page hard-bound book exploring Graphic Design as Contemplative Art.” One...
The Art of Homes
posted by Nick Martinez
By Nick Martinez/ Photos by Luke Montavon Last weekend, ARTfeast was in full motion, including the gorgeous Art of Homes tour. The Art of Homes tour brought locals and visitors alike to check out some of Santa Fe’s most beautiful homes that are currently on the market. Arranged throughout these homes is artwork from local Santa Fe galleries. Before the tour commenced, there was a committee in place with the interesting challenge to decide which gallery would be paired with which house. “There are a lot of art collectors, from in and outside of Santa Fe,” said real estate agent Efrain Prieto. “It’s funny, because I’m a painter and have actually sold houses with my own paintings before.” If you took the tour in order, the first stop was at a lovely 3-bedroom, 2-bath, mid Century Modern estate on Camino Encantado. The home featured artwork from Beals & Abbate’s Fine Art gallery, including various cast stone statues. The gallerys are tasked with combing through the artwork from their galleys and combining them with the artwork already hung up by the home owners. “It’s nice to take a look at how they’re already decorated, then decorate yourself,” said Bobby Beals, owner of the gallery. Further along the tour was a 3-bedroom, 2-bath, El Torreon home on El Caminito, formerly owned by country music star Randy Travis. While there are many reasons why this home is beautiful, two features that stand out are the tower that the home was originally built around, which due to the lack of a bathroom I would suggest turning into a studio, and the metal tin work on the cupboards. The home featured artwork from the Worrell Gallery downtown, and the terra-cotta sculptures went hand in hand with the more storied...
Ski Santa Fe, SFUAD!
posted by Clara Hittel
By Clara Hittel/Photos by Sandra Schoenenstein At 7:30 on a Saturday morning, I parked my car and trudged over to the Driscoll Fitness Center. If this is how early students have to leave to go to Ski Santa Fe, it’s no wonder they aren’t willing to wake up in time to go to Taos or Angel Fire. A few kids sat around the picnic table out front, adjusting to the chill outside in preparation for the slopes rather than huddling inside with hands wrapped around warm mugs of coffee in fear of the cold. I joined them at the table. The conversation I entered into was about what snow-appropriate garments we were lacking. Some people needed gloves, others hats. The immediate camaraderie of the trip goers was cheering so early in the morning. People began offering clothing and advice. I needed waterproof pants, as I have sadly outgrown my own super-official snowboarding pants. Sandra Duran graciously lent me her spare pair. The Feb. 2 journey up to the mountaintop felt like a summer-camp outing to a lake or other body of water where warm-weather activities might take place. The sun had risen with a vengeance and the radio offered what I would consider beach jams, such as Knee Deep (Feat. Jimmy Buffet) by the Zac Brown Band and Home by Edward Sharpe and the Magnetic Zeros. Then again, we were all in parkas and woolen hats, and as we gained elevation the snow finally made its appearance. Pine branches drooped around us, burdened with winter, festively welcoming the line of cars that slowly ascended the mountain. My thoughts turned to ski trips of the past as the alpine scene crawled past my window. Growing up on the East Coast, my parents took me to the...
Rumelia, Santa Fe, Improv...
posted by Arianna Sullivan
There is no sound. It is the CD release party of Rumelia, Santa Fe’s Balkan music group, and there is no sound. The members of Santa Fe University of Art and Design’s Balkan Music Ensemble, who have been invited as guests to this event, loiter on the Railyard Performance Center’s makeshift stage of rugs and platforms on the hardwood dance floor. “How are we?” asks Polly Tapia Ferber, the director of the ensemble. “Are we good?” The audience is restless and ready, but a shout from the sound techies makes it clear that they are going to have to wait for just “one more second.” “Well,” says Polly, “We’ve been here for hours trying to make sure this wouldn’t happen, but…” She wanders off in search of technical solutions for the lack of sound coming from the ensembles’ microphones. Rumelia’s Nicolle Jenson, a College of Santa Fe alum, comes to the stage to announce that, “it’s a good thing we have a few tricks up our sleeve!” The group of three female artists joins her to perform two pieces a cappella. The women are performing this evening to celebrate the release of their CD ‘Lost and Found,’ but it is clear that they hardly need their instruments and a recording studio to capture the odd-time signatures and tonalities of the Balkan region of Eastern Europe. Using nothing but their lungs as instruments, they weave their voices together and immediately capture the audience’s revered attention. When they finish Polly is still scurrying back and forth across the stage checking wires in an attempt to make everything come together. On stage, just a handful of members of the ensemble lounge with their instruments. The sound problem will be figured out eventually, but this is Santa Fe,...
The International Buzz...
posted by Charlotte Martinez
Story by Charlotte Martinez/ Photos by Michelle Rutt “There are three categories,” Emily Powell, advisor for the Santa Fe University of Art and Design, begins when describing Laureate’s Network programs. Powell’s desk in Mouton, as her advisees know, is tidy so little impedes her elbow space as she counts. “The first we call International like a student coming from China, for example. Then there’s the network students who come from Laureate Universities.” Her third finger extends to complete the categories, “and there’s study abroad, where our students go somewhere else.” Now in its third year of international immersion, SFUAD’s new owner, Laureate, provides an exchange of students on a world scale, inviting cultural as well as academic advancement. Currently, most of SFUAD’s network population comes from Mexico. “Some from Brazil,” Powell says, “only four from Turkey and one from Italy.” “One from Germany, China, Russia, Syria…all over.” Pablo Torrez, the International student coordinator, continues. His tasks of setting up visas and transferring credits connects him most to La Universidad del Valle in Mexico, but both Torrez and Powell believe this is due to Santa Fe’s proximity. Torrez hopes more bridges will extend to Santa Fe in the future, that way “everyone can learn from everyone.” He calculates that SFUAD’s International population, currently 11%, will continue growing as the school does. Of course, school exchange is also influenced by options. Juliana Ruette, a second semester student from Brazil says that there were very few choices offered in her previous school, “which was in a city close to Sao Paulo.” She wanted to leave Brazil, so she googled Santa Fe and thought, “what the fuck! It’s so brown!” Agreeing that Santa Fe would be better than Brazil, she planned on attended SFUAD for one semester then escaping to California. Those plans changed. With marketing...
Breaking Barriers
posted by Arianna Sullivan
Story by Arianna Sullivan/Photo by Natalie Abel “Really,” says Tony O’Brien earnestly, “enjoy the photography. Be who you are.” The Santa Fe University Photographic Society meeting is still for a moment, digesting, and then works itself back up into the excited planning frenzy that preceded Tony’s statement. “So what are we photographing,” inquires one student eagerly, “the people, the streets, of just everything?” Tony looks at the array of confused, enthused and jittery faces and responds simply, “as you see it.” The group has gathered to discuss the Santa Fe Grid Project—the photo department’s plan for involvement in this year’s Outdoor Vision Fest. Outdoor Vision Fest is an annual outdoor art show of design, animation, video, photography and other visual imagery, and the photo department is preparing to be a larger and louder presence in 2013 than it has been in past years. The project that the photo department has decided to embark upon, the Santa Fe Grid Project, has potential to grow in influence beyond the festival and even the campus as well. The Grid Project, brainchild of Photography freshman Chris Beran, will be a photographic documentation of Santa Fe’s neighborhoods by SFUAD Photo Society members. Photo students from the school will document designated neighborhoods of the city by means of whatever photographic medium speaks to them—be it still image, analog or digital, time lapse, alternative processing, with or without the accompaniment of interviews or music—as Tony O’Brien puts it, “as you see it.” Both Chris Nail and Tony O’Brien, the faculty members heralding the Photo Department’s involvement in OVF 2013, are enthusiastic about the project’s potential to be the beginning of a continued relationship between SFUAD and the city of Santa Fe. “It will be a living document, a sort of micro-version of the documentation that occurred during the American Depression,” explains Chris Nail, “an evolving picture history of the city.” Tony O’Brien brings attention to the gap that usually exists between universities and the cities they are planted in, with a hopeful sense that this project could bridge that gap between the Santa Fe community and the Santa Fe University. If the project is repeated every year as a sort of series, O’Brien explains, the relationship would be symbiotic—the students would be given an opportunity to extend their tromping grounds beyond the school campus, meanwhile providing a sort of service to Santa Fe. This hope is mirrored by the enthusiasm of the students already involved in the project. Chris Beran, who got the idea for the grid project from a similar one in Portland, says that he’s inspired by the opportunity to give back to the community in an artistic way. “Community service is awesome,” he says, “but it’s kind of generic. But if you can use your skills and really put time and effort into something and give it back with that—to me, that’s priceless.” Chris is aware that there are challenges to large-scale community oriented projects like this, but he is confident that the artistic drive behind each photographer will carry the project forward. “It’s just a matter of finding the time, getting out there, and doing it,” he says enthusiastically. The reality of this hits home as, back at the Photo Society meeting, students begin to chart out the neighborhoods they will be documenting—first with a calling out of street names accompanied by exuberant hand gestures, and then more concretely with a map of the city in front of them. Confusions arise, and the largeness of the project sinks in; “Oh- saj? Where the hell is oh-saj?” asks one student, mispronouncing the street name. Laughter resounds, and somebody chirps up, “I think it’s called Osage.” “Wow,” exclaims another, somewhat startled student, viewing her neighborhood on the map for the first time, “that is a huge chunk of Alameda!” Tony and Chris eyeball each other with eyebrows raised, all too aware of the reality...
The Story of Water
posted by Luke Montavon
Story and photos by Luke Montavon Since last fall I have been following Victor Talmadge and his documentary theater class on their journey to create the show Water. Water is the story of a little known Santa Fe village of Agua Fria and its ultimate demise, as it lose its most precious resource to the city. However the story is not only about what happens when a community loses a resource, but also how the community members celebrate having a resource. The following images reflect the first 20 minutes of the play, how we celebrate having water. Talmadge’s students have created a symbolic, cross-cultural journey, with the use of silk cloth to reflect this...
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