The Student Writers Association (SWA) held its first meeting of the school year last week, and with it began another year of quirky innovations in the art of writing. The coming semesters promise another mixed bag of surprises from the group, which delights in denying conventions. As a member of SWA myself, I decided to step out of the objective view of a reporter and bring some of the spirit of the group to our interviews. I ask each of my colleagues to bring their favorite book with them. Our assignment?  To flip through the pages and find a word or phrase that describes each member of SWA. What follows is an act of literary communion, wielding dangerous Sharpies and filled with ink-splotched abandon. Melinda Freudenberger “That crazy bastard may be the only sane one left.” —Catch-22 When I meet up with Melinda Freudenberger on the Quad, she is smoking a cigarette under a tree. I ask her what’s on the horizon for SWA this year. “We’re planning a lot of cool open mics,” she says, and recalls watching a video of a band performing in a cave. While there are no caves in the Santa Fe area, she says we can expect some unusual locations for open mics. “We’re planning on streamlining Coffee Spoons,” Freudenberger says of SWA’s literary magazine. Coffee Spoons began last year as a monthly, online publication, culminating in the release of a limited, physical copy at the end of the spring semester. After struggling to receive submissions to the magazine, SWA has decided to work with students who attend their meetings to produce pieces for publication. Issues of Coffee Spoons will then be released at the end of each semester. Freudenberger believes that the group’s past difficulty in receiving submissions can be linked to students’ insecurities. “I equate this with open mic anxiety,” she says. “I share the feeling of not having something to read at an open mic or not feeling comfortable having my work published. Publication is put on a pedestal and it doesn’t need to be like that.” Coffee Spoons serves as an entry-level publication for students, but that doesn’t mean that all work is accepted. Freudenberger credits her acceptance into SFUAD’s annual literary journal, Glyph, as giving her the confidence to submit to outside publications. “You can be rejected from Coffee Spoons,” Freudenberger says, “but it exists as proof that you can be published.” SWA has not always been so innovative and fun. In fact, Freudenberger says, “It was pretty shitty. The first meeting I went to, the seniors just talked at us. They told us to bring work in and they’d workshop it, but nobody ever did.” Freudenberger recalls a lack of warmth. “There wasn’t as much encouragement to new students to read as there is now. It felt closed off.” This lack of community served as the impetus for change. Creative Writing faculty member Dana Levin was instrumental in finding new recruits. She pulled Freudenberger aside one day, along with Amaya Hoke, Marina Woollven and Nik Thomas. Levin took them by surprise when she addressed them as SWA. “That’s when things started to change,” Freudenberger says. “We had to stop and consider whether or not we actually cared about it, and if we did, how could we make it better?” The group was strengthened last year by then-seniors Brandon Brown and Bailey Schaumburg. They provided the warmth that was missing. Schaumburg took charge of organizing the open mics. Brown made a conscious effort to mentor the underclassmen, grooming them to take over after he graduated. “We were really excited about it,” Freudenberger says, “but also a little nervous.” This is Freudenberger’s second year as a board member of SWA. The work is not without its stress. So much time gets put into organizing events that board members don’t always get to see the benefits of their work. But every once in a while, there is proof that the...

SFUAD’s new Writing Center opens on Sept. 21. The space will be shared by Hideki Nakazono’s tutoring staff and the Creative Writing program. The Writing Center will act as a space for Creative Writing students to get away from distractions elsewhere on campus.

The fifth incarnation of the Graphic Design show is open to students from all of the Visual Arts departments. Even former students drop by to enjoy the work.

As a community of artists, we often create connections in the spaces where—and the people with whom—we work. Since Manhattan started filming last March, the painters and artists have been moved from their old work space in the Barracks to primarily use as their main painting facility the second story of Alexis Hall, which is predominantly the graphic design building. Jackalope spoke with a few of the artists about their experiences in the new space. Dylan Tenorio, a junior Studio Arts major, considered the new facility a crowded space with low ceilings. “The space can be a bit crowded, and there are a lot of us here sometimes.” Another concern he brought up is that supplies can go missing, which he says was less common in the old facility. He does, however, enjoy having the digital lab downstairs. “Sometimes I go down there and do some digital work; it’s really convenient.” Omar Lazri, also a junior Studio Arts major, really enjoys the facility’s aesthetic. “It has a very eastern New York look with the bricks and the length,” he notes. But he also really misses the Barrack’s higher ceilings, which allowed him to work with taller pieces. He also thinks that the new facility can get too hot when everyone is there working or doing class. Phat Le, a junior Fine Arts major, really misses his old painting space. “I had grown very attached to the old space,” he says. “I worked there all the time.” Le also thinks that the space is very small for his style, but he is learning to work with it for the time being. “I am used to making big artwork and the older space in Tishman was perfect for me.” Ryan Roberson, a Junior Studio Arts major, thinks that the new space has bad lighting and is much more cramped compared to the old facility. She also spoke about not feeling too comfortable leaving her materials out. “I personally don’t like this new space. The other building was much bigger and had much better lighting.” Kevin Bouton-Scott, a first semester Studio Arts major, never knew the other facility. He is a very reclusive artist who enjoys his privacy—and he really enjoys the space in Alexis Hall. “I can stay here all night to work, often I do.” He would simply advocate for the card readers to work after hours so that he can come work more conveniently. He would also like more lockers to contain materials and...