Two SAG actors were named this week for the third season of “Shoot the Stars.” John Diehl (Miami Vice, Stargate) was announced Nov. 3 to play the male lead of Rick in “Oasis Motel” as well as a character in “The Disposables” with SFUAD Film School alumni, Matt Page in the second film. Diehl has more than 140 acting credits spanning 30 years of film and television. On Nov. 5, it was announced that Amber Midthunder will play the role of Rick’s daughter, Cindy, in “Oasis Motel.” Midthunder has 15 IMDB credits and is the daughter of actor David Midthunder. Principal photography for Shoot the Stars season 3 begins Monday Nov....

From this year’s Santa Fe Independent Film Festival’s Shorts Program, nine films were selected and screened under the category of New Mexico Shorts. This category required that a portion, if not all, footage be shot in the state. In supporting the origins of the festival, Executive Director Jacques Paisner said that when organizers started their screenings five years ago, they were in fact New Mexico filmmakers, and believed other filmmakers from the state “deserve[d] to play for a full house.” In his introduction to the New Mexico Shorts Program on Oct. 16 at Santa Fe’s Center for Contemporary Arts, Paisner invited the directors to present themselves to their audience, who ranged from students to seniors. “These young talented people are the future here in Santa Fe,” Paisner said, motioning to the young filmmakers.“It all starts with their vision. At the beginning, we’d often show almost any New Mexico film because we wanted to be supportive, but this year the competition became tougher than we’ve ever seen it. Each film you’ll see is a testament to that.” Indeed, after the screening was over, I felt—as a film student, a New Mexico resident, and annual SFIFF attendee—that every film demonstrated an inspiring amount of hard work, along with some quirky and enchanting stories.   88 Miles to Moscow, directed by Karen Clienke SFIFF Description: Niki may have missed the train, but don’t miss the heart of her story: a mother-daughter relationship in all its beautiful complexity. For any woman who remembers those uncomfortable talks with an obnoxiously protective mother, Karen Glienke’s 88 Miles to Moscow is relatable and all the more comedic. The film utilizes an interesting technique of cross-cutting between two main scenarios: the young Niki hitching a ride with a strange Russian boy (after missing...