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Home » Posts Tagged "Film"
A Movie About a Film
  • Film
Feb16

A Movie About a Film

posted by Nicholas Beckman

At the time of their interview with Jackalope Magazine, the group of SFUAD film majors had received roughly $700 in crowd funded donations. By the next morning, that number had jumped to $1,390. While that’s still short of the $5,000 goal, the group spearheading a recently launched IndieGogo campaign for their upcoming project, A Film, were more than giddy about the sudden spike in donations. The brainchild of junior film major Alvie Hurt, who serves as writer-director for the project, A Film is a sort of “meta” comedy. The story follows a young writer attempting to write a screenplay for a film. Along the main character’s journey, his hyperactive thought process throws the viewer into a cinephile’s mindset, breaking the fourth wall any chance it can while paying homage to various styles and genres along the way—a fitting story for a group of film majors to undertake. A Film is comprised of all film majors: Hurt, Austin Ross, Nathan Regier and Amy West with the film’s marketing being handled in part by Shantanu Sagara. “It’s literally getting in the head of a writer,” explained Hurt. “—and that’s where it all came [from].” Hurt previously made this project for one of his production classes at the film school, shooting in two days and editing in one. Displeased with its production value and listening to his friend’s excitement for improving the film, Hurt decided to remake the project and raise enough money to meet his visual expectations. “I find it very personal to Alvie’s experience and I think that that’s really cool,” said West, one of the producers of the project. “It’s very relatable, though,” added Regier, the director of photography for A Film, noting that while the story’s main character is a direct reference to Hurt’s experience, viewers can find its appeal in not only the satirical nature of its writing, but the visual parodying of mainstream film styles. “It’s an inside joke that everyone can be apart of,” added West. The way IndieGogo campaigns work is that, contrary to other crowd funding sites like Kickstarter, the money raised equals money earned for the production even if their projected goal is not met. “This is the most money I’ve ever worked with myself,” said Ross, EPK director for A Film, who was not alone with his statement. Hurt, Regier and West all explained the anxiety working with that amount of money, though their nerves seemed undisturbed with camaraderie at a high. A Film isn’t the only crowd-funded project being headed by film majors. ArcadeTV and Waterless Petunias all launched this semester and are currently underway, though the team of A Film doesn’t think competition is the right word to describe the other projects. They expressed their love for all members of the other crews and the excitement for the amount of budding talent within the department. Hurt’s film is set to begin principle photography March 27, following spring break. In addition to A Film, Sagara will be making a film about the making of A Film, to which Hurt added, “Christopher Nolan has nothing on us!”...

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Dyanna Taylor
  • Film
Feb13

Dyanna Taylor

posted by Ashley Costello

Dyanna Taylor, long-time Santa Fe resident, award winning cinematographer and granddaughter of master photographer Dorthea Lange will be joining a post-film Q&A session Saturday, Feb. 14 after the encore showing of her latest documentary film Dorthea Lange: Grab a Hunk of Lightening. The film screen at 3 p.m., at the Center of Contemporary Arts, 1050 Old Pecos Trail Santa Fe, New...

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Q/A: Shantanu Sagara
  • Film
Nov06

Q/A: Shantanu Sagara

posted by Adriel Contreras

  Shantanu Sagara is a second semester freshman film student born and raised in India. He considers the focus of his filmmaking experimental by nature, showcasing the vibrant color and habitation of his native culture.   Jackalope Magazine: How did you get into film? Shantanu Sagara: I grew up around a lot of artists because there are a lot of artists in my family. They would have dinners all the time and they would talk about film, art and music. My father is a sculptor and a painter and my mom is a university professor.   JM: How did you learn about the Santa Fe University of Art and Design? SS: So, one of my parents’ friends, her name is Linda Bangles, she is an American artist and has a studio a little ways out of Santa Fe. She was just over and we were talking about film schools outside of India because I didn’t want to study in India because I’m not a big fan of Indian Cinema. She told me about this school and I checked it out right away.   JM: What kind of influences did you grow up with in terms of film genre? SS: I used to play bass guitar in a bunch of bands in my city. They were older than me and more exposed to western culture like music and movies. One of my friends would always recommend films to watch and I’d watch them.   JM: What are you looking to focus on craft wise at the film school? SS: When I first came here, I had no other intention but to be a director. As I go through my classes…I see a lot more things that I can do. One thing I’ve been looking at...

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Q&A: Lobsang Tenzin
  • Film
  • Students
Nov05

Q&A: Lobsang Tenzin

posted by Adriel Contreras

“Listening to that music, I have a scene playing out in my head.” Lobsang Tenzin regards the pianist who has been playing at Iconic Coffee brewery. We sit down to speak about Tenzin’s life and I learn about Tenzin, passionate storyteller. “I am always listening and imagining the stories with music in my life,” he says. “Even the birds or the leaves blowing make up scenes.” Tenzin was born in Lhasa, the capital city of Tibet. He fled from his country in order to escape the tyrannical government that offered very little freedoms for its people. “Both my parents were activists and I was too. I got in a lot of trouble,” Tenzin says with a smile. “People always say that Tibet is so beautiful as a landscape, as a people and as a culture. But the inside is so sad. There is no human right, no religious right, no educational rights and it’s so hard. I had to escape from Tibet. It is impossible to go back.” He ended up fleeing the country, and is now studying film at SFUAD after transferring from the Portland Community College with a bachelor’s degree in Integrated Media. Tenzin received SFUAD’s 2014 Unique Voice Scholarship through the Robert Redford/Milagro Initiative scholarship program. Jackalope Magazine: What does film mean to you? Lobsang Tenzin: For me, it’s more like a tool or a weapon in order to tell my people’s culture and stories. Now these days, all the older people from the older generations, they are wrinkled and dying, I want to keep all the wrinkles and grab all the stories that they have as much as possible. I can make short films and documentaries for the next generations; even if they don’t see these people, they will know their stories. It just keeps on passing; it must never vanish.   JM: How would you define your style? LT: I’m like a Marine, and I think of myself like a sniper. My job is to shoot. I always shoot, even when I’m not working. I’ll shoot the leaves moving in the grass. I build up all the different shots and store them so I don’t have to go looking every time. If I want to make a small story I can just use the shots I already have. I can pick anything when I work.   JM: Have you considered what exactly you want to focus on in the film school? LT: For me, it’s about the images. I want to be a cinematographer. But the way I see it, if I want to be a chef, I start from the dish washer. I need to understand how everything works. This semester I’m not taking any big production classes. I’m just taking some normal classes in order to understand this university. I don’t want to get too stressed out this semester. I am taking Native American Arts and History of Contemporary Art.   JM: Can you tell us a little bit about how you came to this university in particular? LT: I was still studying at my other college in Portland. One of my professors asked me if I wanted to act. She introduced me to the director and he said I was perfect for the cast. They offered to give me acting classes for one year, Meisner acting classes to learn to work in front of the camera. I learned so many things. So basically I was always behind the camera and now I’m facing the camera. You have to give the perfect shot. So I was doing that while in school and the director of the film asked what I had planned once I graduated with an Integrated Media degree. He told me to look at Santa Fe University of Art and Design. He gave me the information and he even contacted the school for the Robert Redford scholarship. I then got my portfolio together, all...

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SFUADcast: Max Marriner
  • SFUADcast
Oct07

SFUADcast: Max Marriner

posted by Nick Martinez

SFUADcasters Nick Martinez and Chris Stahelin interview film student Max Marriner.

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