By Nick Martinez/Photos by Christopher Stahelin “Hell is other people,” the famous line from Jean Paul Sartre’s classic one act about three damned souls psychologically torturing each other, serves as the perfect coda for the play. Ironically enough, it also serves as the perfect antithesis to SFUAD’s current production. Even though the show was opening on Feb. 15, senior Corbin Albaugh, the show’s director, graciously allowed me to sit in on their most recent rehearsal. My only knowledge of the play before hand was through brief summaries on the Internet and conversations I’ve had with Albaugh in previous days, so I was going in blind. Albaugh called for his small crew to take their positions, because today they were going to run through the entire piece straight. Taking the stage first was junior transfer student Michael Phillip Thomas as the coward Crodeau. “At the top of this play Crodeau built up this view in his mind that was really manly and macho, which you and I do everyday,” said Thomas. “Through this plays process you see him stripped of that, and he’s really this scared coward of a man that in every turn in life ran away.” Thomas certainly played Crodeau in this way, as his acerbic monologues would not be out of place in a Brett Easton Ellis novel. Joining Thomas on stage later was sophomore Chloe Torblaa as the scheming Ines and freshmen Tristine Henderson as the seductress Estelle. “The show is about three way dynamics and that’s kind of the way the world works,” said Torblaa about the show. The threesome breezed through the show without any mishaps to my untrained eye, and the show climaxed with Torblaa’s character Ines delivering a gleefully psychotic rant to Thomas’s Crodeau. “That’s why Ines is...

Walking up the stairs in the lobby of the theatre building, Senior performing arts major Corbin Albaugh and I exchanged pleasantries. Albaugh for the past week was in preproduction for the Weckesser Studio Theatre production of Jean-Paul Sartre’s classic No Exit, which he is directing. “This is the first time I’ve ever directed and I’m going into this pretty much blind other than having a decent all around knowledge of the play,” said Albaugh. “So this is a massive learning experience for me and at this point in the process I love it. It’s fantastic.” Seeing Albaugh’s excitement, I thought he had achieved a lifelong dream. “I wouldn’t say I’ve always wanted to direct,” said Albaugh. “One of the things that I would like to accomplish in my senior year is to stay out of my comfort zone as much as possible.” Albaugh’s comfort zone is an ever changing beast. Back in Iowa, in junior high, Albaugh auditioned for a model and talent agency. They liked him so much that they booked him a trip to New York for the International Models & Talent Association (IMTA), where managers and agents flock to find fresh clients. “So long story short, I did some contests, did some exhibitions, got hooked up with a management team that flew me to LA where I auditioned for two years for film and television. I ultimately got cast in a bit part. Have you ever seen the movie ‘Mr. Woodcock’?” I did, in fact, remember Mr. Woodcock, a 2007 comedy starring Seann William Scott and Billy Bob Thorton. It was a critical bomb but that could hardly be attributed to Albaugh’s small role as one of the gym students harassed by the title character. “That happened and that was an...