When Contemporary Music Major Saqeef Ali performed for his SFUAD audition, he did so as a singer. However, after taking his first recording techniques class, he began to discover a new passion: one he would never have seen himself enjoying before he came to SFUAD.
Glyph Gala 2014
posted by Sara Malinowski
With the evening opening and closing with music from Laser Cats, the readings of all literary award winners were beautifully bookended at the Glyph Gala 2014.
Sing a Song, Tell a Story
posted by Charlotte Martinez
Musician David Berkeley discusses his songwriting and storytelling in advance of a SFUAD workshop and performance.
Q/A W Sam Zickefoose
posted by Nick Martinez
In the third of a series of Q&A sessions with SFUAD students, Jackalope Magazine speaks with Contemporary Music Program Sophomore Sam Zickefoose, who illuminates the joy of banjo, Laser Cats and Gypsy Jazz. Jackalope Magazine: What instruments do you play? Sam Zickefoose: My main instrument is banjo, but I play some guitar and mandolin, and a little bit of bass. JM: What got you into banjo? SZ: My uncle played banjo and my family kind of had a blue grass band a while ago, so I grew up with it. JM: What about bluegrass still draws you? SZ: Well, there’s a lot of energy and it’s really a reactive type of music, kind of like jazz. It’s always changing, it’s not set; you can be playing the same songs a hundred times and it will be different every time. JM: What brought you to SFUAD? SZ: To be honest, I was looking for schools that had banjo programs or teachers. There was one here, one in Texas and Berkeley and that was about it. And I ended up here. (laughs) JM: Is there a teacher who plays banjo that has mentored you in any way? SZ: Yeah, Tom Adler plays banjo. He plays clawhammer and is also a guitarist and singer. But I’ve worked with a lot of the teachers and they’ve been really open to relating their concepts to banjo, like Ross [Hamlin], Polly [Ferber] and Scott [Jarrett]. JM: Have you been learning things in general that you could apply to the banjo? SZ: All of our theory classes are really applicable to a lot of different styles of music and writing music in general. In Balkan Ensemble, we learn the theory of the music…and learn new techniques. Even if we don’t use them for Balkan music, we can transfer them...
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