Two SAG actors were named this week for the third season of “Shoot the Stars.” John Diehl (Miami Vice, Stargate) was announced Nov. 3 to play the male lead of Rick in “Oasis Motel” as well as a character in “The Disposables” with SFUAD Film School alumni, Matt Page in the second film. Diehl has more than 140 acting credits spanning 30 years of film and television. On Nov. 5, it was announced that Amber Midthunder will play the role of Rick’s daughter, Cindy, in “Oasis Motel.” Midthunder has 15 IMDB credits and is the daughter of actor David Midthunder. Principal photography for Shoot the Stars season 3 begins Monday Nov....
NM Shorts
posted by Charlotte Martinez
The Santa Fe Independent Film Festival‘s New Mexico Shorts Program of 2014 has again reminded the Santa Fe film audience that the voices of New Mexico are alive and well. This year, the Center for Contemporary Arts screened five selected short films, some of which were shot in New Mexico and others which were made by New Mexican filmmakers. The commonality stops there. From documentary-style narratives to formulaic Westerns, the themes and stories ranged in all genres and in all styles. The variety, perhaps, reflects that original guerrilla-filmmaking spirit which set the festival’s foundation six years ago. A Horseback Ride to the Soul, directed by Aimee Barry Broustra SFIFF Description: For the rider and non-rider alike “A Horseback Ride to the Soul” explores the ways in which interactions between human and horse can lead to a deeper understanding of our selves and our relationship to the world. An official selection of the Albuquerque Film and Media Experience and Long Beach India International Film Festival, “A Horseback Ride to the Soul” is more documentary than narrative, but we can overlook that due to the multiple categories the content explores. First, the location of a Santa Fe Ranch filled with beautiful horses makes for some gorgeous cinematography. Second, the subject of horse and rider relationship is not your typical rancher’s story. The technique is Collaborative Horsemanship, and it implies “an approach to groundwork and riding implementing prey-to-prey communication” in order to “establish a relationship of trust between human and horse.” The program is facilitated by Kelly Wendorf, native New Mexican and CEO of The Institute of the Southwest, who believes in a non-aggressive approach to riding. “How can human best serve horse?” Wendorf says in her interview, “How can human, through congruency, act as a herd leader?” Wendorf introduces the term “horse therapy” in her program and the technique becomes especially convincing when...
Prepping Oasis and Disposables
posted by Charlotte Martinez
Following selections of Shoot the Stars third season scripts “Oasis Motel” (written by Julie Wittrock) and “The Disposables” (written by Keegan Moore and Dylan Hamilton-Smith), The Film School has recently announced the directors and producers of the ambitious two-day shoot scheduled for November. After interviews with Department Chair Chris Eyre and production mentor Hank Rogerson, Bonnie Burchfield—a senior film major and co-producer of last year’s “Mister Stapleton”—will direct “Oasis Motel,” a contemporary drama with a strong female lead. And Peter Crowder, senior film major, will tackle the “Enter the Dojo” web series spinoff titled “The Disposables.” “It wasn’t a script that was submitted,” Crowder says, explaining the circumstances of “The Disposables” selection. In the past, scripts have been chosen from a pool of student submissions, usually one drama and one comedy. “It was an idea that the school had,” Crowder explains, “a marketing move a bit.” Because College of Santa Fe alum Matt Page has gained wide viewership on his “Enter the Dojo” web series (about the world of an American karate school taught by Matt Page’s character Master Ken), Crowder explains that The Film School was hoping for Page’s “followers” to become aware of Shoot the Stars, while Shoot the Stars would provide an unique opportunity for “Enter the Dojo.” So while the branding of Page’s web series remains consistent, the Shoot the Stars team would have creative rights to an original Dojo offshoot. In preparation for writing a script, Crowder explains that the new Shoot the Stars class watched “Enter the Dojo: 100 Ways to Kick the Groin” in order to “get a feeling” of Page’s style. Consequently, film students Dylan Hamilton-Smith and Keegan Moore (the Dylan and Keegan comedy duo as they’re known in The Film School) wrote a fitting short called “The Disposables.” “If you remember The Expendables,” Crowder says, “about a group of aging action heroes…that could be an [inference] of the title of our project.” Regarding the writers of “The Disposables,” Crowder adds, “they’re absolutely hilarious people.” Despite working closely with Page in branding consistency, Crowder says that the Shoot the Stars team won’t be creating another web series episode, but a “little feature[tte] of what is Master Ken’s life outside of the Dojo.” And though Page’s Master Ken character will be key in the original script, the required Shoot the Stars guest actors (an unidentified 40-year-old woman and 50-year-old man) will also appear in the story. “The script is in motion, it’s fluid and subject to change,” Crowder says. Meanwhile, he prepares for his shoot by analyzing the script and solidifying the “look” of the film. As far as an artistic vision, it helps that Crowder’s range of filmmaking is so diverse. Able to “play with the cheesy and funny action films” to the “bad B movies,” Crowder says he has experience in working with heavy visuals as well as heavy dialogue. And running, for example, SFUAD’s Rock Horror Picture Show on campus for the third year running has made “working with other people” his speciality. “If a script is intentionally bad or even unintentionally bad,” Crowder muses, “there is an opportunity to make it a great movie. It’s so much fun to do that!” Supporting Crowder as co-producers in “The Disposables,” juniors Matthew Krekeler and Anastasia Gendelman have already begun planning for the November shoot. This week, the producers will hold, for example, interviews for positions like director of photography, cinematographer and production designer (a position which Gendelman assisted in last year and says is a “totally different realm” than producing). “Producers should be able to find the right people,” Krekeler says. As previous locations manager for Shoot the Stars, Krekeler knows the importance of “building a team,” a task which Krekeler and Gendelman have found simple due to the “passion” encountered in their “awesome interviews” thus far. With the addition of a Shoot the Stars class, Krekeler and Gendelman say they have started interviews and meetings early this year and have procured, thanks to Film School Assistant Chair Paula Amanda, “Longmire’s” old office space in Onate Hall. They hope to utilize the space for production meetings, storyboarding, scheduling, etc. “It adds to the real world experience,” Krekeler says. Bonnie Burchfield, director of “Oasis Motel,” is also grateful...
CineVision
posted by Charlotte Martinez
“There’s no better teacher than to do it,” says Film 4 Change Executive Director Rich Henrich, creator of the first CineVision Festival at The Screen, May 1-4. Henrich says the idea for CineVision sprang from the constant curiosity of students regarding how to create and run a film festival.
The Stars Are Out
posted by Charlotte Martinez
The crews of Shoot the Stars have sprung into action. With star actors Richmond Arquette (Se7en and Fight Club) and Jordana Spiro (The Mob Doctor and Trespass) arriving on the SFUAD campus this weekend, the production crews of Mister Stapleton and Dead Celebrity have been working around the clock casting, scheduling, camera testing and the works.
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