Crews for both productions (“Oasis Motel,” drama and “The Disposables,” action/comedy) of Shoot the Stars Season 3 finished shooting Friday Nov. 21. John Diehl and Laura Harring served as this season’s name talent and spoke highly of both crews. “I’m really impressed by this place,” said Diehl, mentioning the professionalism of both crews including his assistant to talent, freshman film major LaCharles Trask. “He was like my bodyguard,” explained Diehl. “I never had that as an actor.” With post production already underway, both teams will be launching their social media platforms soon. While “Oasis Motel” has finished shooting, additional scenes for “The Disposables” will be shot in January 2015. “It was very interesting working with the two different directors,” said Harring of directors Bonnie Burchfield and Peter Crowder, “They have completely different styles.” Harring played the roles of Lynn Landon in “Oasis Motel” and KiKi Nass in “The Disposables.” “I’m not treating this film any differently than any other film…” said Harring, ”and I feel like the students did the same thing....
Shoot the Stars Cast
posted by Nicholas Beckman
Two SAG actors were named this week for the third season of “Shoot the Stars.” John Diehl (Miami Vice, Stargate) was announced Nov. 3 to play the male lead of Rick in “Oasis Motel” as well as a character in “The Disposables” with SFUAD Film School alumni, Matt Page in the second film. Diehl has more than 140 acting credits spanning 30 years of film and television. On Nov. 5, it was announced that Amber Midthunder will play the role of Rick’s daughter, Cindy, in “Oasis Motel.” Midthunder has 15 IMDB credits and is the daughter of actor David Midthunder. Principal photography for Shoot the Stars season 3 begins Monday Nov....
Prepping Oasis and Disposables
posted by Charlotte Martinez
Following selections of Shoot the Stars third season scripts “Oasis Motel” (written by Julie Wittrock) and “The Disposables” (written by Keegan Moore and Dylan Hamilton-Smith), The Film School has recently announced the directors and producers of the ambitious two-day shoot scheduled for November. After interviews with Department Chair Chris Eyre and production mentor Hank Rogerson, Bonnie Burchfield—a senior film major and co-producer of last year’s “Mister Stapleton”—will direct “Oasis Motel,” a contemporary drama with a strong female lead. And Peter Crowder, senior film major, will tackle the “Enter the Dojo” web series spinoff titled “The Disposables.” “It wasn’t a script that was submitted,” Crowder says, explaining the circumstances of “The Disposables” selection. In the past, scripts have been chosen from a pool of student submissions, usually one drama and one comedy. “It was an idea that the school had,” Crowder explains, “a marketing move a bit.” Because College of Santa Fe alum Matt Page has gained wide viewership on his “Enter the Dojo” web series (about the world of an American karate school taught by Matt Page’s character Master Ken), Crowder explains that The Film School was hoping for Page’s “followers” to become aware of Shoot the Stars, while Shoot the Stars would provide an unique opportunity for “Enter the Dojo.” So while the branding of Page’s web series remains consistent, the Shoot the Stars team would have creative rights to an original Dojo offshoot. In preparation for writing a script, Crowder explains that the new Shoot the Stars class watched “Enter the Dojo: 100 Ways to Kick the Groin” in order to “get a feeling” of Page’s style. Consequently, film students Dylan Hamilton-Smith and Keegan Moore (the Dylan and Keegan comedy duo as they’re known in The Film School) wrote a fitting short called “The Disposables.” “If you remember The Expendables,” Crowder says, “about a group of aging action heroes…that could be an [inference] of the title of our project.” Regarding the writers of “The Disposables,” Crowder adds, “they’re absolutely hilarious people.” Despite working closely with Page in branding consistency, Crowder says that the Shoot the Stars team won’t be creating another web series episode, but a “little feature[tte] of what is Master Ken’s life outside of the Dojo.” And though Page’s Master Ken character will be key in the original script, the required Shoot the Stars guest actors (an unidentified 40-year-old woman and 50-year-old man) will also appear in the story. “The script is in motion, it’s fluid and subject to change,” Crowder says. Meanwhile, he prepares for his shoot by analyzing the script and solidifying the “look” of the film. As far as an artistic vision, it helps that Crowder’s range of filmmaking is so diverse. Able to “play with the cheesy and funny action films” to the “bad B movies,” Crowder says he has experience in working with heavy visuals as well as heavy dialogue. And running, for example, SFUAD’s Rock Horror Picture Show on campus for the third year running has made “working with other people” his speciality. “If a script is intentionally bad or even unintentionally bad,” Crowder muses, “there is an opportunity to make it a great movie. It’s so much fun to do that!” Supporting Crowder as co-producers in “The Disposables,” juniors Matthew Krekeler and Anastasia Gendelman have already begun planning for the November shoot. This week, the producers will hold, for example, interviews for positions like director of photography, cinematographer and production designer (a position which Gendelman assisted in last year and says is a “totally different realm” than producing). “Producers should be able to find the right people,” Krekeler says. As previous locations manager for Shoot the Stars, Krekeler knows the importance of “building a team,” a task which Krekeler and Gendelman have found simple due to the “passion” encountered in their “awesome interviews” thus far. With the addition of a Shoot the Stars class, Krekeler and Gendelman say they have started interviews and meetings early this year and have procured, thanks to Film School Assistant Chair Paula Amanda, “Longmire’s” old office space in Onate Hall. They hope to utilize the space for production meetings, storyboarding, scheduling, etc. “It adds to the real world experience,” Krekeler says. Bonnie Burchfield, director of “Oasis Motel,” is also grateful...
Recent Comments