Coming Attractions at The Screen Oct. 31 – Nov. 6 Showcasing the best in classical, independent and foreign cinema, The Screen cinematheque at Santa Fe University of Art and Design presents new releases, special cinema events and performances all day every day! See what critics have to say about the latest screenings, watch a trailer, then visit The Screen for a unique movie-going experience. The Blue Room France – 2014 – 1 hour 16 minutes Based on the Novel by Georges Simenon “Every revelation registers in the gifted Amalric’s gaze: infinitesimal physical mutations, emotional detonations.” —Sheri Linden of Los Angeles Times “One of most exciting things about The Blue Room is that it celebrates the radical fragmentation of Alain Resnais’s 1963 film Muriel — a nostalgic blast for modernists, reminding us that, by and large, they don’t cut them like they used to.” —Jonathan Romney of Film Comment Magazine Manuscripts Don’t Burn Iran – 2013 – 2 hours 5 minutes Winner of Cannes Film Festival’s 2013 Best Director “Demands to be seen as widely as possible.” – Jonathan Romney of Screen International “The most important moviegoing experience of the year.” -Eric Cohn of Indiewire New York Film Critics Series Presents Elsa and Fred USA – 2014 – 1 hour 34 minutes Starring Shirley Maclaine and Christopher Plummer One Night Only, Nov. 4, 7 p.m. “Elsa and Fred” is both a movie about love and a love letter to movies.” Jeannette Catsoulis of The New York Times Awake: The LIfe of Yogananda US – 2014 – 1 hour 27 minutes The Story of Yoga’s Journey to the West “The film tapped into Yogananda’s humanity in a way that was profoundly moving and inspiring to me.” —Ram Dass “A beautifully crafted film and a powerful story about a spiritual genius.” —Russell Simmons...
Coming Attractions
posted by Charlotte Martinez
Coming Attractions at The Screen Sept. 26 – Oct. 2 Showcasing the best in classical, independent and foreign cinema, The Screen cinematheque at the Santa Fe University of Art and Design presents new releases, special cinema events and performances all day every day! See what critics have to say about the latest screenings, watch a trailer, then visit The Screen for a unique movie-going experience. Horses of God Belgium – 2013 – 1 hour 55 min. Winner of 2013 Cannes Film Festival’s Best Director “Year-long grooming provides explanatory social context in how marginalized kids get caught up in organized violence to get a sense of control over powerless lives.” – Nora Lee Mandel of Film Forward “Quietly powerful, haunting, unflinchingly honest and character-driven.” —Avi Offer of NYC Movie Guru Jealousy France – 2013 – 1 hour 17 min. Nominated Best Director of Venice Film Festival 2013 “Short and anything but sweet, Jealousy is a good entry point to Garrel’s filmography, for those new to the director’s work.” —Kimber Myers of The Playlist “Philippe Garrel’s movies feel like ghost stories: delicate, enigmatic, and haunted by some indelible, unnameable presence, which a viewer can’t help but suspect is the director’s own past.” —Ignatiy Vishnevetsky of AV Club “Call it a masterpiece.” —Ray Pride of Newcity One Day Pina Asked… France – 1983 – 57 min. Original ’83 Television Broadcast Restored One Night only Sept. 27, 11:15 a.m. Flat $7 “Akerman’s film is a work of modestly daring wonder, of exploration and inspiration. With her audacious compositions, decisive cuts, and tightrope-tremulous sense of time-and her stark simplicity-it shares, in a way that Wender’s film doesn’t, the immediate exhilaration of the moment of creation. Akerman’s film is of a piece with Bausch’s dances.” —Richard Brody of The New Yorker “Astonishing! [With One Day...
Coming Attractions
posted by Charlotte Martinez
CineVision Film Festival and so much at The Screen May 2-8.
Coming Attractions
posted by Charlotte Martinez
Nicolas Cage returns to his independent film roots. Joe is based on Larry Brown’s novel. A Q/A with actor Ronnie Gene Blevins happens May 1, 7 p.m. Tickets on sale.
Coming Attractions
posted by Charlotte Martinez
The Rocket, Oscar Shorts and more show this week at The Screen.
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