SFUAD President Christine Guevara has a longstanding relationship with the institution.
Q&A With Charles Goodmacher...
posted by Amaya Hoke
Jackalope Magazine discusses education and the legislative session with NEA New Mexico’s government and media relations director Charles Goodmacher.
At the Academy with Seth Biderman
posted by Andrew Koss
Seth Biderman picks a small, ripe tomato from a vine and pops it into his mouth. He walks down stone steps and back up a hill to Seton Castle, then sets his coffee mug down in a reinforced window among the ruins. The castle is the former home of naturalist Ernest Thompson Seton. It looks down upon the Academy for the Love of Learning, where Biderman serves as manager of the Academy’s Institute for Teachers. Biderman received his master’s degree in Creative Writing at the University of New Mexico. At the time, he thought he was getting a useless degree, and was proud to be doing so. However, he says the degree has been extremely helpful in his career. “The two things that have served me the most in my career are learning Spanish and learning how to write well. There’s not a day that goes by that I don’t use my writing skills in my job.” There are two passions in Biderman’s life: writing and education. Right now, he’s got the best of both. As the newest contributing faculty member to SFUAD’s Creative Writing program, Biderman spends approximately four hours a week teaching Techniques of Fiction. The rest of his work week is spent at the Academy. Inside the building, a tiled waterfall greets visitors at the entrance. A small museum to the left is dedicated to Seton’s art and writing of Ernest Seton. A room upstairs houses a grand piano. Down the hall is a state-of-the-art kitchen. “Learning usually occurs in a bland, institutional space,” Biderman says. “Teachers come here for programs and they often ask, ‘This is for us?’” Teachers of all grade levels visit the Academy, free of charge, for a chance to revitalize their careers. In a profession known for its high burnout rate, the Academy’s programs offer teachers a new perspective on learning. A group of 12 educators meets once a month in a circle of chairs in the Leonard Bernstein room. Meditation pillows rest at their feet and a Tibetan singing bowl sits on the back table. Floor-to-ceiling windows span half the length of the room. No matter where one sits, one always has a view of the outdoors. Biderman likens the architectural features of the building to the teaching style employed. “All our rooms have an inside-outside thing going on,” Biderman says, “which mirrors the way we learn. When I learn about writing, I might get really into Faulkner for a while. That’s looking out. But then I have to come back in and ask myself, ‘What’s my voice?’” The unorthodox teaching methods at the Academy stem from the beliefs of founder Aaron Stern. In his previous work as dean of the American Conservatory of Music in Chicago, Stern began investigating the ways in which people learn. He developed a teaching philosophy of focusing more on honoring who people are and less on what we think they need to know. This lines up perfectly with Biderman’s vision of education. “I think traditional schools are on their way out,” he says. “It’s still a long way off, but I think we’ll slowly turn away from them.” A teacher who foresees the end of schools? It’s certainly unusual, but Biderman’s belief stems from what he calls the “infantilization” of teenagers. He feels that when adolescents reach the age at which they can contribute to the world, they are held back and told, “Not yet.” With programs like the Academy’s Inspire Santa Fe, teenagers get the opportunity to explore their passions before they even reach high school. SFUAD Film major William Gallegos currently mentors a student in the six-month program. While most of his time is spent working with teachers, Biderman also works with youth in his Techniques of Fiction class at SFUAD. The entry-level course instructs Creative Writing students on the basic elements of storytelling. It gives Biderman the chance to delve back...
Music Futures
posted by Serafima Fedorova
On Feb. 21 in O’Shaugnessy Performance Space, Contemporary Music Program Chairman Horace Young, faculty members Steve Paxton, Melinda Russial and Deborah Ungar, along with Career Services Director Joanie Spain discussed career choices and master’s degrees in music entertainment and education.
The weekend workshop was more of a roundtable with questions and answers on qualification, making the right choices and the availability of options. Music department faculty and advisors exchanged information and anecdotes about their own graduate school experiences.
Art of Liberation
posted by Luke Montavon
SFUAD’s Black Student Union on Feb. 20 hosted a powerful show on the Art of Liberation with performances and speeches.
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